The 116th Festival Brings Joy to El Barrio

It’s been two years of no dancing and no cheering on the streets of El Barrio. But all the dancing and cheering came back last weekend at the 116th Street Festival. True the pandemic has played a major role in the joy of the city, especially among the Latin American community.  But the music, food, and dancing brought the crowds back to El Barrio on Saturday, June 11. The festival achieved its goal of bringing everyone together for the day from community residents to artists to business leaders. As this reporter took pictures, you could feel the happiness. Even though the fear of #covid19 still lingers, there was joy in El Barrio.  

(photos and text by Ismael Nunez for PRSUN)

To view more of Ismael's photos, visit him on Flickr. 

East Harlem Remembers Legendary Young Lords and El Barrio Photographer Hiram Maristany

By Ismael Nunez El Museo del Barrio honored the memory of Hiram Maristany with a community celebration on May 15. The former director of El Museo, Maristany was remembered as one of the community’s most gifted artists, a longtime El Barrio resident, a community activist, and a former member and official photographer of the Young Lords Party. “As a photographer, Maristany’s work transcended the purely documentary, and testified to the beauty in our communities,” El Museo del Barrio said in a statement. “Today, and always, we are grateful for his friendship, and loyalty, and continue to be inspired by his commitment to uplifting Puerto Rican and Latinx communities. Rest in power.” He was 76 (August 10, 1945 – March 10, 2022).

The program for the event stated: “Maristany first picked up the camera in 1959 while still a teenager, and dedicated the next six decades documenting the life, history, culture, and beauty of his neighborhood.” Active in the cultural and political movements in the Puerto Rican community, he was a founding member of the Young Lords Party. He would be the official photographer and capture many of their iconic actions. He later became involved in the early history of El Museo where he served as director from 1974 to 1977. His photographs are part of the permanent collections of such respected institutions as the Smithsonian American Art Museum, The National Museum of African American History and Culture, and El Museo Del Barrio. Among those who attended the event were Hiram Maristany’s son, Pablo Maristany, and daughter Alita Maristany; former members of the Young Lords Felipe Luciano and Mickey Melendez; Patrick Charnel, executive director of El Museo Del Barrio, Pedro Pedraza El Museo Trustee; Marta Moreno Vega, founder of the Caribbean Cultural Center African Diaspora Institute; Evelyn Carmen Ramos, chief curatorial and conservation officer, National Gallery of Art; and Susana Torruella Leval, president emerita and former executive director, El Museo Del Barrio. They all expressed how the photographer’s work and his love for the community helped promote issues and causes that mattered to the people of El Barrio and the Puerto Rican community in NYC. The bomba/plena group, BombaYo, ended the show singing and dancing proudly to the sound of: “Hiram Presente, tu trabajo, artista, Young Lords Presente!”

As for this reporter, you will always be my friend, mi hermano. Whenever I see the Young Lords Church at 111th street and Lexington Avenue, the Young Lords book written by former Young Lords member Iris Morales, and your photography showcased in East Harlem, I will remember. I will never forget you. Pa’lante Hiram. To view more of Ismael's photos, visit his Hiram Maristany tribute album.

Three Kings Day Parade in El Barrio

El Museo del Barrio's 43rd Annual Three Kings Day Parade and Celebration titled "Nuestros Barrios Unidos: Celebrating our Collective Strength" was on January 6 in East Harlem. The parade theme honored the city's immigrant and migrant communities of past and present.

Here are some parade photos by Ismael Nunez:

Puerto Rican Day Parade Scenes

Images from the National Puerto Rican Day Parade by Ismael Nunez for PRSUN

Politicians including New York Governor Andrew Cuomo and parade honorees open the National Puerto Rican Day Parade with a ribbon cutting. Then the parade comes alive with music, flags and cultural and political expressions. The yearly display of Puerto Rican pride is a NYC tradition for sure.

To view more photos from the parade and more, visit Ismael's photo page.

Check out PRSUN Project: National Puerto Rican Day Parade '15

For the last few years, Puerto Rico Sun has assembled a group of photographers to cover the National Puerto Rican Day Parade through their lens. We don't have any other agenda but showcasing select images of the parade as seen by the photographers on our PRSUN team.

Here is the link to our online photo gallery of this year's parade and related activities:

https://www.flickr.com/groups/prsunprproject15

More images to be added soon.

This year's PRSUN team: Ismael Nunez, Miriam Quin and yours truly.

Enjoy.

Young Lords Way in El Barrio

By Ismael Nunez

A highlight this summer is the naming of a street in East Harlem in honor of the Young Lords. It finally happened on July 26, a great day and victory for the community. That day the YOUNG LORDS were remembered and honored for their contributions. Former members of the YOUNG LORDS from chapters from New York City, Chicago, and Connecticut, were present as 111th Street was named Young Lords Way.

Here are some scenes from that joyous day in El Barrio. I am honored to live in a neighborhood with a street called Young Lords Way.

Ismael Nunez is a PRSUN contributor.

PRSUN Project: Puerto Rican Day Parade '14

(Participants at the National Puerto Rican Day Parade show off their pride. Photos by Clarisel Gonzalez)

Actress Rosie Perez, parade queen, joins the fun, proudly waving the Puerto Rican flag. (Photo by Ismael Nunez)

To view more photos taken at the National Puerto Rican Day Parade, the Bronx Puerto Rican Day Parade and related events by Gonzalez and Nunez. Visit our online gallery.

https://www.flickr.com/groups/nprparade14/

Q&A with Rocky on Broadway's Luis Salgado

The actor plays Kid Rizzo in the new production

By Ismael Nuñez




Here is the story of Rocky on Broadway, which is currently playing at the Winter Garden Theatre in New York City. Yes, it is that familiar Rocky story from the movies: "Somewhere in downtown Philadelphia, a down-and-out fighter named Rocky Balboa struggles to stay on his feet. But when the chance of a lifetime comes along, he takes his best shot at becoming a champion… and his last shot at finding first love."

The iconic underdog story Rocky has inspired an innovative new stage production, brought to life by a five-time Tony Award-winning creative team, including director Alex Timbers (Peter and the Starcatcher), songwriting team Lynn Ahrens and Stephen Flaherty (Ragtime), and book writers Thomas Meehan (The Producers) and Sylvester Stallone (Rocky, the Oscar-winning Best Picture). Rocky is a heart-stopping theatrical experience for everyone brave enough to follow their dream such as Puerto Rican actor Luis Salgado who plays the role of Kid Rizzo in the production.

Puerto Rico Sun had the pleasure of chatting with Salgado about being a Puerto Rican artist in New York, his new role in Rocky on Broadway and more.

1-Can you tell us a little bit about yourself?

"I was born in Puerto Rico and my blood is Taíno. Spanish-Caribbean is my soul". Those lyrics from “The Capeman” define very well how I feel. Living in New York City, I have the chance to represent my culture and inspire many other Latinos, through the arts. It is a great time to honor and celebrate our Latino identity, and tell those stories from our own experience.

I started performing at Bellas Artes (Performing Arts Center) in San Juan, professionally directed by Ernesto Concepcion, Sr., at the age of 16-17 - when we did a play called Vida Vida. Then I had the honor of performing alongside renowned actors Angela Meyer, Lucy Boscana and many others, in a revival of Francisco Arriví's Vegigantes, the classic play about three generations of a Puerto Rican family, dealing with race. Another experience that I’ll never forget was working in the Zarzuela by Ernesto Lecuona Maria La O with Johanna Rosaly at the Paoli Hall, directed by Gilberto Valenzuela. I studied at the University of Puerto Rico for three years and then moved to NYC to pursue my dream of being on a Broadway stage.

Now I am celebrating 10 years since my very first Off-Broadway Show, Fame on 42nd St., which I did in 2004. It has been a ride, and I am thrilled to be in my third original Broadway production with a wonderful cast and inspiring creative team. We just recorded the music album for “Rocky Broadway” this past week, and that’s part of the wonderful opportunities that we get to experience and learn from being an original cast member. This album is an addition to my record collection, which also includes . In the Heights and Women on the Verge of a Nervous Breakdown, which represent my other shows on Broadway.

2. You are on Broadway and you are Latino...Are you aware that in this city there is a large Latin American community?

I am extremely aware because I love my community and try to contribute something to it with every step I take. Sometimes I get to do that by simply doing my art. Other times it is by working in the community such as on R.Evolution of Evolution through the arts. “R.Evolución Latina” is now in its sixth year of empowering local communities and our programs continue to expand.

There is also a BIG interest in the Latino community nowadays. I see it, hear it and feel it.

We have always been here, very present in society, in sports, in arts…Now because of the potential for business in the Latino market, people are paying more attention.

That is why it’s very important that we also use this time to represent our community in the best way possible and voice the things that most empower us and have the greatest potential to make positive changes and contributions in areas such as the arts, TV, news media, public service and cultural awareness.

3-For the part of Rocky on Broadway, you watched the past Rocky movies, right?


Funny enough, I have seen all Rocky movies, many times. I love the first two. I love the relationship of this character [Rocky] with himself, Adrian and his community. My favorite is perhaps Rocky 4 when he meets Drago. But overall, the musical is based on Rocky I, where he gains his self confidence and the love of his life.

Besides my passion for boxing and theater, this show speaks to me closely because my wife Denisse has also been a major inspiration in my life, to dare to go beyond and pursue my dreams with her endless support. She came all the way from Puerto Rico with me and now we have made our dreams come true, one step at a time.

4-In this play you act, dance, and sing. You really had to do a lot of training, practicing?

The last 10 years I have been madly in love with musical theater, so every show has brought the challenge of this combination. I have always had a new positive challenge in every project. I find that being in the arts is the best way to not only train my body, but also my mind, education and spirit.

5-Puerto Rico has produced many gifted boxers. Take any lessons from any of them?

I wish! It would be a great honor to train or do a full training camp with one of the great champions of my island. Perhaps with Miguel Cotto. To be by his corner when entering the ring, that would be a dream. I am very passionate about boxing in my daily life, far beyond this show. I find the discipline and mental challenge of a boxer, one of the greatest of all.

6-A lot of gifted Puerto Rican actors/actresses made a name for themselves on Broadway: Rita Moreno, Chita Rivera, Jose Ferrer, Raul Julia, Miriam Colon, Benicio Del Toro. How do you feel about that?

I have huge respect and admiration for them all. For sure Raul Juliá has always inspired me. Somehow, I realized that he was 24 when he moved to NYC. I was 21, so it sort of inspired me to have three years of studying as my main plan, before pursuing bigger endeavors. I studied non-stop for a year an half, and then got my first musical after performing at places like Madison Square Garden with such Latin music stars as Thalia and Paulina Rubio and traveling to Japan as a guest dance/choreographer artist. I knew quick that NYC was home, that I wanted a life in the theater here. Great leaders like Miriam Colon (and the work she has done at the Puerto Rican Traveling Theater), as well a Rita Moreno, Chita Rivera and the legacy of José Ferrer have created a road map and opened doors for me and my generation.

I also love the story of the underdogs, and there are so many not so famous names that have also inspired me such as Puerto Rican dancer Carlos Sierra, who I saw perform in the Broadway show Swing with the great Maria Torres, who I later worked with in my first Broadway-bound show Mambo Kings. Also Julio Monge, who I saw many times in videos doing Fosse, and whose footsteps I followed in re-creating his role in the musical The Capeman for the concert version staged by the Public Theater at Central Park a few years ago. I even got to take workshops with him before I moved to NYC. All of these people have a part of my heart and a part of my history.

7-Do you feel their presence is with you when performing?

Yes and yes!! When doing “In the Heights” at the Richard Rodgers Theater, I had stories of Raul Julia in my mind during intermissions. I remember telling myself: "I am performing where Raul Juliá performed.”


8-So after Broadway what’s next? Movies, television, telenovelas or another Broadway show?

I love Broadway and there is so much more for me to accomplish here, in the many fields that I love and admire – as producer, choreographer and mainly, as an actor. But I have been able to experience film in projects like Enchanted and Step up to the Streets. I would love to do more film as well. I love all the arts, but among all the forms, musical theater thrills me. To be in front of an audience and get their honest reactions live every night, eight shows a week, while being challenged with dancing, singing and acting night after night is fascinating to me.

9-Any message you’d like to say to the Puerto Rican community here in New York City?

"Si yo no hubiera nacido en la tierra en que nací, estaría arrepentido de no haber nacido allí”. Even when I discover a strong connection with many places in Latin America and admire our collective history as Latinos, I find myself having a very unique human experience thanks to the vulnerable heart and warmth that comes from my island, my people, my family, my pasteles and coquito. Thank you to all of the people who with pride and respect, honor who we are as Boricuas, as Latinos.
Make the Taíno blood always shine throughout the world!


###

Salgado's Broadway credits have included: Women on the Verge…and In the Heights. Pre-Broadway: Mambo Kings (Frankie Suarez). Off-Broadway: Fame on 42nd Street (Ensemble, Joe Vegas u/s). Other: The Capeman (Public Theater). Film: Across the Universe, Enchanted, Step Up 2: The Streets, Dirty Dancing: Havana Nights. For more information about Salgado, visit www.luissalgado.com.

(video courtesy of Luis Salgado/YouTube)

Ismael Nuñez is a contributing writer to Puerto Rico Sun. He is a resident of East Harlem.

Community members to be honored as PRSUN Ambassadors

PRSUN Ambassador Award recipients:

Rev. Carmen Hernández, NYC LGBTQS Chamber of Commerce

Ismael Nuñez, contributing writer and photographer

Cecil Harris, advisor

Jose Boricuation Medina, contributing graphic designer

Mike Callender, Bronxmedia

Kevin P. Tyson, contributing photographer

Eileen McNamee, contributing photographer

Miriam Quiñones, contributing photographer

Vivian Lake, contributing writer

Efrain Ortiz, Jr., Efrain's Corner

For supporting and advancing PRSUN's business and social mission of informing, empowering, and building community through their contributions and friendship

The PRSUN Ambassadors will receive their awards at the PRSUN anniversary and networking event this Saturday in the Bronx. Event is open to the public. To RSVP, http://prsun10.eventbrite.com.

Photos from the Bronx PR Day Parade

PRSUN had a photo team at yesterday's Bronx Puerto Rican Day Parade. Happy 25th anniversary to the Bronx parade.

The PRSUN photo team included Kevin Tyson, Miriam Quiñones, Benny Betancourt, Ismael Nuñez, and moi.

Here is a link to the photos I took at the parade:


To view the team PRSUN Project: Bronx Puerto Rican Day slideshow go to:

http://www.flickr.com/groups/bxprparade/

Cotto gets his revenge at the right place

Sports

By Ismael Nuñez

'I Am...We Are Muevete'

By Ismael Nuñez

After several years on hiatus, Muevete is back.
Earlier this month, the Muevete youth conference was held in the South Bronx. Activists, student organizations, and community based organizations bonded at the BronxWorks Cornerstone Betances Community Center on St. Ann’s Avenue for the 13th annual Muevete conference.
Muevete is the Spanish word for “move yourself,” and the young and older people in the conference were definitely doing moving. They were moving in the memory of one of their own who died too soon. They were moving to help make the quality of lives of today's young people better.

The previous Muevete conferences were hosted at bigger named venues such as Columbia University, Hunter College, and City College. But they stopped.
Lissette Nieves said she believed it was important to reactivate the youth conference.
She spoke about her old Muevete friend Daniel Mejia who died earlier this year at the age of 32 from complications of pancreatitis. She met Mejia when he was a high school senior who wanted to help Latino youth with education, community and civil rights issues. After his days at Muevete, he went on to work for several nonprofit groups and became an advocate for health and gay rights issues.
His death helped bring new life to Muevete and the need for it.
"The need for Muevete is there and needed," Nieves said.
Right after Mejia's death, Nieves and others realized that the conference had to resurface to move a new youth generation of movers.

What better place than in the South Bronx?
Ben Ramos, a Bronx activist said, "A lot of the issues affecting Latino youth back in the 1990’s when this organization was created are still in effect. We wanted young people to know and learn that there are organizations, history, that is always available for them, and where they can always go for help when needed."
At the conference, young people were exposed to several community based organizations such as El Puente Academy located in Brooklyn and the Justice Committee of the National Congress for Puerto Rican Rights. Both groups hosted workshops.
Ramos said: “It’s the perfect location for the Latino youth to learn/organize/ and be united! Right here in the boogie down Bronx."
Dance choreographer Anthony “Omen” Barner who works at the center and is the creator of the dance group “Swagged Out Kids,” said, “We promote positivity and the growth of the participants of this center to engage in their minds and spirit."
Two other main highlights included the serving of basic Latino soul food: rice with beans, chicken, and salad; and cultural performancesbomba, plena, hip-hop dancing, and salsa and mambo classes. There were even free dance classes for everyone. I must admit I got into the dance groove, dancing gracefully with a good friend Denise from the YAI chapter in the Bronx.
As we danced, Denise said, “Enjoy, Learn, Educate, Organize, Friendship."
It was the right place at the right time.
I am today and tomorrow moving forward. Muevete.

Ismael Nuñez is a freelance writer based in East Harlem. He is a contributing writer to PRSUN.

(Photos by Ismael Nuñez)

Editor's Picks: PRSUN Photo Project/PR Parade '11

For the National Puerto Rican Day Parade, PRSUN organized a team of contributing photographers to take photos at the parade from their perspective. The images are part of a permanent online gallery titled "PRSUN Photo Project: The 2011 National Puerto Rican Day Parade." Participating photographers included Catherine Fonseca, Eileen McNamee, Kevin Tyson, Oscar Rivera, and Ismael Nunez. This gallery is the Editor's Picks from the online exhibit. While I also participated in the online exhibit as a photographer, this gallery does not include any of my images. Here is a selection of some of my favorite images that my photo colleagues took at the NYC parade on June 12. Editor's Picks: www.flickr.com/photos/clarisel/galleries/72157627784719336/ To view the full online PRSUN Photo Project exhibit, which includes images I took at the Puerto Rican parade, visit www.flickr.com/groups/nyprparade/ -- Clarisel Gonzalez/curator

The spirit of the Young Lords lives on

Commentary

It was 1969, the year remembered by many as when the New York Mets won the World Series. It was also the year that a group of Puerto Rican activists formed the New York chapter of the Young Lords.

The revolutionary Young Lords Party, which led protests against conditions faced by Puerto Ricans and led to the takeover of the First Spanish Methodist “The People’s” Church in East Harlem in December 1969, definitely has its place in history for their activism to bring change in the Puerto Rican community in New York and elsewhere. Last month, the former Young Lords came together to celebrate the 40th anniversary at the old East Harlem church. While the group doesn’t exist today, the legacy of the Young Lords continues. 

On that hot August Sunday, more than 20 former members of the Lords gathered at the church to share their experiences, inspiring a current and future generation of young activists to take action against injustices affecting their community. 

The church in El Barrio was standing room only. Several former Young Lords -- who at one time were street gang members and drug users -- shared stories of how they turned their lives around because of their activism. A beautiful part of the event was that Young Lords from other cities attended in solidarity. They included representatives from Philadelphia, Connecticut, and Chicago. 

Among the attendees was the man who, inspired by the Black Panther Party, first created the Young Lords in Chicago: Jose “Cha Cha” Jimenez. “Seeing the community here and seeing some these comrades shows we did a lot of good,” he said. “It shows our love for the people.”

The young people in attendance were encouraged to take advantage of things they have access to such as the Internet to stay informed, active and involved in community development.

After the event, the group celebrated at the nearby Julia De Burgos Latino Cultural Center in East Harlem. Rosa Clemente, a college student who wrote a thesis on the Young Lords, stated: “Today’s activity was a educational experience not just for me for all youth and people; they are my inspiration, my sisters and brothers. The Lords are still alive. PALANTE!” – Ismael Nunez

Ismael Nunez is a contributing writer to Puerto Rico Sun.

 

 

Q&A with activist Vicente "Panama" Alba

The organization “For a Better Bronx,” a community-based organization in the South Bronx, which fights to achieve environmental, social and food justice through education, community organizing, and empowerment held a special event earlier this year at St. Luke’s Church in the Bronx. That day, long-time activist Vicente “Panama” Alba was honored for many years of service to the organization and his commitment to people. Vicente has done it all in his many years of activism, including being a member of the influential Young Lords Party, which this weekend celebrates its 40th anniversary, and being a member of the underground group the F.A.L.N. (Fuerzas Armadas Liberacion Nationalista). He has fought against police brutality and against the war. He is an environmentalist. He was also active in the movement to get the Navy out of the Puerto Rican town of Vieques.
With the anniversary and reunion of the Young Lords, Alba reflects on his time with the organization and says it continues to shape his work as an activist.
Q: Let’s talk about the Young Lords. It’s been close to 40 years since they took over the church at 111th Street and Lexington Avenue. Why are the Young Lords still in the minds of people to this day?
A: As far as the history of my involvement, I am a proud former member of the Young Lords Party. That experience has paved the road I’ve been walking since.
Q: Should there be a memorial in this (NY) city despite their birth in Chicago, Illinois?
A: As far as should there be a memorial for the Young Lords, it needs to be clear that the great majority of us never thought that we were making history. That was not our motivation. We just loved our people, hated what we were being subjected to, and dreamed of a better world. Those are the things that drive me to do what I do to this day. We, without realizing it, did make history. All the credit is deserved by Cha Cha, Sal, Omar, and the women who turned a gang into a revolutionary force and inspired young people in NY and then other parts of the country to join. I have to say, though, I believe that if the YLO had not happened in Chicago and moved people here, something else after that would have been born here because the reality we demanded it. As far as a memorial, that is not for me to say.
Q: Richie Perez was in the Lords with you. Can you tell us a little about him? He once stated that being in the movement keeps you young and strong.
A: As for as Richie Perez, the fact that from amongst all the people who lived for our people, you ask me about him speaks for itself. I first met Richie as one of the fellows when I was a teenager. He was soon after a teacher at Monroe High School where I was registered, but never went. Richie along with Cleo Silvers were the two most influential people at that time in my life. They knew me as an out-of-control rebel and guided me to the path I’ve been on since I joined the YLP. Until his death, he was my brother, my friend, companero de lucha, and is today one on whose spirit I call on. Richie was one of the most caring and committed people I’ve been honored to have in my life. Probably the most brilliant person I have ever come across. He never asked others to do something he would not do himself.

The Young Lords celebrate its 40th anniversary and reunion Sunday with an event at the First Spanish Methodist Church aka "The People's Church" in East Harlem. -- Ismael Nunez

Ismael Nunez is a contributing writer to Puerto Rico Sun.

(photo by Ismael Nunez of Vicente "Panama" Alba, center, with his children at the Better Bronx event)
(Young Lords flier; click on image for larger text)

A Q&A with Whose Barrio's Ed Morales

Ed Morales and Laura Rivera are both journalists who were inspired to do the “Whose Barrio?" documentary, which focuses on the gentrification or the selling of NYC’s Spanish Harlem, El Barrio.

East Harlem is one of the hardest hit Latino strongholds in the city impacted. Many Latinos have fallen victim to raising rents, new buildings not suitable for the working class, and small businesses forced to close or relocate. In this documentary, you will hear from activists, artists, elected officials, and groups who are combating this sensitive issue and get a picture of the rapidly changing barrio.

Q: Why East Harlem? What was it about the community that got you into doing the movie?

A: First of all, my parents came to New York from Puerto Rico and they met while living in East Harlem. I have had several relatives who have lived there, and I still have an aunt who lives there. In 2002, I wrote a story for the New York Times about gentrification of East Harlem because I’d heard from some friends who were living there and were upset about it. I also consulted with Arlene Dávila, who was in the process of writing a book about gentrification of East Harlem. The story interested me because I had lived through gentrification of the East Village (Loisaida) in the ‘80s and ‘90s and I was frankly surprised that the same thing could happen in El Barrio. In 2007, while a Revson Fellow at Columbia University, I took a course on making a documentary and I asked Laura Rivera, who was writing a Master’s thesis on gentrification in El Barrio to be a co-director and co-producer.

Q: This documentary is it mainly about gentrification or the daily lives of people dealing with this issue?

A: The story focuses on a few different situations. One is the contrast between Jose Rivera, a long-time resident of El Barrio who feels like gentrification will price him out, and James Garcia, who is relatively new to New York and moved to the neighborhood from Battery Park City because he felt like it offered “more space for less dollar.” The film also focuses on Movement for Justice in El Barrio, Hope Community, and the debate over the East 125th Street development project, which was approved in October 2008.

Q: I noticed in the earlier previews of the film hardly didn’t get a chance to interview some of the white tenants coming into the community/buying property. Did you want to interview them or did they refuse?

A: We interviewed one white tenant briefly on camera. We felt we wanted to avoid an emphasis on race, so we focused on James Garcia to represent the point of view of the “gentrifier.” In this way, we could show that gentrification is first and foremost a class issue, even though race is clearly involved.

Q: While doing the film, did you get a chance to interview business owners and tenants about what is going on?

A: We did interview several tenants but not as many business owners. We tried to focus on dramatic situations to make the film a little more exciting. Not everyone that we interviewed wound up getting into the movie.

Q: What was the whole budget for the film?

A: We did almost all the work on the film ourselves, except for some camerawork and some sound editing, for which we brought in some outside people. Taking into account our labor and the equipment we bought, as well as tape stock, I would estimate that the budget of the film was about $35,000.

Q: Were you able to several well-known people born/raised in the area?

A: People who appear in the film include Aurora Flores and Dylcia Pagán, who grew up in El Barrio, Mariposa and Vagabond, who are artists that have done a lot of work in the neighborhood over the years, and Melissa Mark-Viverito, the City Councilwoman who represents El Barrio. U.S. Representative José Serrano and Taller Boricua co-founder Fernando Salicrup make brief appearances. Several of James De La Vega’s murals appear.

Q: Some people who are moving in are calling the area SP-HA and many longtime residents are not happy about that. What’s do you think about this?

A: I agree that it’s an irritating name. I resented when real estate developers called Loisaida “Alphabet City” in the ‘80s and ‘90s. Names like that are created to erase the memory of communities that already existed and don’t fit into the cool, exclusive gentrified area developers want to create. It’s dismaying that so many elite types move into a neighborhood like El Barrio and say when they moved in there was “nothing” there, ignoring the thousands around them who have created a living, vibrant community that has survived years of marginalization and poverty.

"Whose Barrio?" made its World Premiere at the New York International Latino Film Festival earlier this summer. The documentary has also been screened at several colleges and other institutions.

"Whose Barrio?" is currently available for screening at universities, community organizations, and cultural institutions. The co-directors are also available for speaking engagements related to the film or on other subjects for a fee.

For more information on institutional copies for sale to any universities and other institutions, e-mail whosebarrio (at) edmorales.net to inquire.

“Whose Barrio” is planned for a screening at the East Harlem Café this September, but the date hasn't been confirmed. The documentary is also entered at various film festivals around the country.

To view the trailer for "Whose Barrio?," go to:

http://www.youtube.com/watch?v=-N9IhwXsvDI
-- Ismael Nunez

Ismael Nunez is a contributing writer to Puerto Rico Sun.

My new exhibit: Visions of Puerto Rico

Exhibition: Visions of Puerto Rico & Puerto Rican Pride

June 12th – 28th – Opening Show 7-10 p.m. on June 12th

Clemente Soto Velez Cultural & Educational Center, Inc.

107 Suffolk Street, Manhattan

Contact: Mia Roman Hernandez - artbymamamia@yahoo.com / 646-361-6448

About the show:

“Visions of Puerto Rico & Puerto Rican Pride” Celebrates Puerto Rican culture through Photography. The show will include more than fifty works by emerging and established artists from Puerto Rico, Miami Fl. and New York City. Each artist brings a unique style and vision. These artists have discovered the beauty, tales and the history to their culture in which has been incorporated into their craft of photography. Some of the pieces will depict Community, Urban settings, Music, Nature, Family, Politics and Spirituality. The photos will embrace the cultural empowerment of the Puerto Ricans and their pride. The photos will evoke emotion, feeling and discussion. We have bridged a gap between the Puerto Ricans on the Island and the Puerto Ricans out side of the island and this exhibit is the result of that connection.


Art is an expression of the unconscious and is dedicated to the free expression of feeling.


About CSV/ Clemente Soto Velez Cultural & Educational Center, Inc.:

The Clemente Soto Vélez Cultural & Educational Center, Inc. (CSV), a 501 (C) 3 not-for-profit, was founded in 1993. The CSV Cultural Center is a Puerto Rican/Latino cultural institution that has demonstrated a broad-minded cultural vision and a collaborative philosophy. While CSV's mission is focused on the cultivation, presentation and preservation of Puerto Rican and Latino culture, it is equally determined to operate in a multi-cultural and inclusive manner, housing and promoting artists and performance events that fully reflect the cultural diversity of the Lower East Side and the city as a whole.


Artists include:

Clarisel Gonzalez, Mia Roman Hernandez, Elena Marrero, Vivien Perez, Carissa Hernandez, Christopher Lopez, Susan Alvarez, Marcelino Pagan, Luis Cordero, Pepper Negron, Marie Paola Martinez, Gamalier Martinez, Gerardo Javier Melendez Silvagnoli, Marielly Martinez, Ismael Nunez, Pablo Colon, Eliud Martinez

source: Art by Mia press release

Keep Your Eye on Lopez

On the sports corner

In front of the home crowd in Puerto Rico, World Boxing Organization Super-Bantamweight Champion Juan Manuel Lopez defended his title against Gerry Penalosa last weekend. Lopez entered the ring with an impressive record of 24 victories, 22 by knockout.
Lopez did not lose a single round.
Penalosa’s heart is most likely what kept him going throughout his fight with Lopez. But by the ninth round, Penalosa’s trainer Freddie Roach had seen enough and threw in the towel to stop the fight.
Harold Lederman, judge for HBO Boxing, said: “It’s hard to believe that they didn’t stop the fight a whole lot sooner; it’s Lopez’s fight from the opening bell.”
Freddie Roach said, “He was way to strong, my fighter’s face was banged up, he was too good.”
And Max Kellerman, boxing commentator, described Lopez as tough.
While Lopez’s win is definitely good news for Puerto Rico, the question now is whether he will move up in weight class. Since he’s beaten up everyone in his division, it makes sense. Can he do like the other Puerto Rican champions Wilfredo Gomez and Felix Trinidad who moved up in weight class and won more titles? Can and will Lopez move up? We’ll see, so keep your eye on Lopez. He’s definitely a fighter to watch. – Ismael Nunez


Ismael Nunez is a contributing writer to Puerto Rico Sun.

'Confessions of a Rogue Teacher'

New novel highlights issues in inner-city schools

There have been many movies and T.V. shows that attempt to highlight, through drama or comedy, the issues that exist in America’s inner-city schools. But what is it like, really? "Confessions of a Rogue Teacher" (published by iUniverse) by novelist and retired teacher George Colon, employs plot as a vehicle to communicate the realities of life for an inner-city teacher.

"Confessions of a Rogue Teacher" opens with English teacher Manny Quesada hurrying back to his classroom from the restroom. He has just had what the reader finds out in Chapter 2, an altercation with one of his students, Wilson Contreras. In the course of this altercation, things turned physical and Manny hit Wilson in self defense. This fateful event will drive the entire plot of Confessions of a Rogue Teacher, not only for Manny but for the people around him as well.

As a result of Manny’s altercation, there is an inquiry. Manny is removed from the classroom pending a full review. This is a great blow to a man who had dedicated his life to teaching and at one time held to the ideal that he could help his fellow Puerto Ricans rise up from poverty through education. Now, after twenty years of teaching, Manny is felled by an altercation resulting in a momentary act of anger and impulse. Manny is instructed to report to the superintendent’s office. Unsure of where he stands or if he will even be allowed to return to the classroom, Manny is faced with a new reality: what comes next?

“I’ve been here three days now and don’t know why,” I complained. “I have union rights.” I’d called Peter Goldstein, who told me Joseph Arimet, roving troubleshooter, would contact me, but he hadn’t yet.
“You’ve been placed in this office,” he twiddled his moustache. “I didn’t send for you.” While he let these words sink in, his eyes bore down on me with the sneer of command. “Don’t know what you’ve done - don’t care.”
“I do.”
His eyes softened, though not his tone “When Minerva returns, she’ll talk to you. For now, man a desk, file papers, and handle the phone. Take messages and complaints. Give information. No opinions. Tell callers they’ll be contacted. Mario will break you in. He’s got a problem, too.”


George Colon is a native of Puerto Rico and grew up in the South Bronx. After earning a bachelor’s degree in English and a master’s on Secondary Education, Colon returned to the South Bronx. He was a teacher there for 30 years. Upon retiring, he began writing. This is his first published novel. Colon has a wife and daughter and still resides in the Bronx.

source: press release

UPCOMING APPEARANCE IN THE BRONX
Join George Colon at the Meet the Writers at Small Press Night
7 p.m. April 17
Barnes & Noble Booksellers
Bay Plaza
290 Baychester Ave., Coop City
For more information:
(718) 862-3945

Editor's Note: "Confessions of a Rogue Teacher is also available at the PRSUN aStore:




(photo of George Colon at a book event at Cemi Underground in East Harlem by Ismael Nunez)

Art songs at La Casa

Photo op



La Casa -- La Casa De La Herencia Cultural Puertorriquena, Inc. (The Puerto Rican Cultural Heritage House, Inc.) in East Harlem at 1230 Fifth Avenue is a not-for-profit cultural and educational institution founded in 1981. The cultural heritage of Puerto Ricans/Latin Americans is archived for all to share. La Casa also holds cultural events. In late March, “Art Songs by Classical Composers from Puerto Rico” was showcased. In this photo, director Leticia Rodriguez, at center, poses for a photo with the artists. That day audience members were treated to a live performance by Dominican-American mezzo soprano Anna Tonna and Cuban pianist Daniel Daroca performed songs by Puerto Rican composers from the past and present. – Ismael Nunez