Showing posts with label Puerto Rican. Show all posts
Showing posts with label Puerto Rican. Show all posts

Friday, November 18, 2011

'I Am...We Are Muevete'

By Ismael Nuñez

After several years on hiatus, Muevete is back.
Earlier this month, the Muevete youth conference was held in the South Bronx. Activists, student organizations, and community based organizations bonded at the BronxWorks Cornerstone Betances Community Center on St. Ann’s Avenue for the 13th annual Muevete conference.
Muevete is the Spanish word for “move yourself,” and the young and older people in the conference were definitely doing moving. They were moving in the memory of one of their own who died too soon. They were moving to help make the quality of lives of today's young people better.

The previous Muevete conferences were hosted at bigger named venues such as Columbia University, Hunter College, and City College. But they stopped.
Lissette Nieves said she believed it was important to reactivate the youth conference.
She spoke about her old Muevete friend Daniel Mejia who died earlier this year at the age of 32 from complications of pancreatitis. She met Mejia when he was a high school senior who wanted to help Latino youth with education, community and civil rights issues. After his days at Muevete, he went on to work for several nonprofit groups and became an advocate for health and gay rights issues.
His death helped bring new life to Muevete and the need for it.
"The need for Muevete is there and needed," Nieves said.
Right after Mejia's death, Nieves and others realized that the conference had to resurface to move a new youth generation of movers.

What better place than in the South Bronx?
Ben Ramos, a Bronx activist said, "A lot of the issues affecting Latino youth back in the 1990’s when this organization was created are still in effect. We wanted young people to know and learn that there are organizations, history, that is always available for them, and where they can always go for help when needed."
At the conference, young people were exposed to several community based organizations such as El Puente Academy located in Brooklyn and the Justice Committee of the National Congress for Puerto Rican Rights. Both groups hosted workshops.
Ramos said: “It’s the perfect location for the Latino youth to learn/organize/ and be united! Right here in the boogie down Bronx."
Dance choreographer Anthony “Omen” Barner who works at the center and is the creator of the dance group “Swagged Out Kids,” said, “We promote positivity and the growth of the participants of this center to engage in their minds and spirit."
Two other main highlights included the serving of basic Latino soul food: rice with beans, chicken, and salad; and cultural performancesbomba, plena, hip-hop dancing, and salsa and mambo classes. There were even free dance classes for everyone. I must admit I got into the dance groove, dancing gracefully with a good friend Denise from the YAI chapter in the Bronx.
As we danced, Denise said, “Enjoy, Learn, Educate, Organize, Friendship."
It was the right place at the right time.
I am today and tomorrow moving forward. Muevete.

Ismael Nuñez is a freelance writer based in East Harlem. He is a contributing writer to PRSUN.

(Photos by Ismael Nuñez)

Wednesday, August 10, 2011

Julia de Burgos stamp dismissed?


Commentary


By Steven Maginnis



There are few people more deserving of commemoration on a United States postage stamp than Puerto Rican poet Julia de Burgos.  De Burgos, who lived from 1914 to 1953, grew up in poverty in Puerto Rico but managed to go to college through a scholarship and become a teacher - effectively pulling herself up by her own bootstraps.  Later, through involvement with the Puerto Rican Nationalist party, she became a full-time writer and wrote about her love of Puerto Rico, the social struggles of the poor and oppressed, and her own feelings of entrapment and confinement. "Writing in the 1930s through the 1950s," one reviewer for Publishers Weekly, commented, "de Burgos was ahead of her time in grasping connections between history, the body, politics, love, self-negation and feminism that would later prove to be the foundations for writers like [Adrienne] Rich and [Sylvia] Plath."    
In September 2010, Julia de Burgos - who died of pneumonia in New York City in 1953 and was initially buried anonymously because her body could not be identified - was honored with a postage stamp in the U.S. Postal Service's Literary Arts Series, a series of commemorative stamps dating back to 1979 that has honored John Steinbeck, Edith Wharton, and F. Scott Fitzgerald, among others.  She was thus honored as an American, not an Hispanic American, writer; the de Burgos stamp is part of a mainstream series that's as diverse as America itself (James Baldwin and Richard Wright are among the black authors honored in the series).  In fact, she's the first Hispanic author commemorated in the series.       
But some readers of Linn's Stamp News seem to disagree with the Postal Service's actions. Linn's Stamp News, the nation's premier philatelic (stamp collecting) magazine, holds an annual poll of the most and least popular stamps and postal stationery. When the results came in for the 2010 stamp program poll, the Julia de Burgos commemorative stamp was voted the second worst commemorative design - behind stamps honoring abstract expressionist painters, 548 to 377. It was understandable, as the de Burgos stamp design seemingly reduced the woman to a caricature and featured a background that depicted Puerto Rico's landscape somewhat cartoonish.  
But get this. It was also voted second least necessary commemorative - behind stamps for Sunday comic strips, 563 to 264. 
What are we to make of this? Stamp collectors have always been stereotyped as one thing or another, from overeducated geeks who bore people by showing their collections like they were vacation slides (as Woody Allen depicts them) or, worse, stodgy old white men who don't interact with anyone and prefer to stay home, mounting their precious pieces of postal currency depicting dead presidents.  It's the latter stereotype that this dissing the de Burgos stamp in the 2010 Linn's poll suggests, with an element of racism, misogyny, and sociopolitical arch-conservatism. 
The philatelic community has been fighting this stereotype for a long time.  Black stamp collectors have promoted the hobby to get more black people involved, and the Postal Service itself has issued numerous stamps for blacks and Hispanics.  President Franklin D. Roosevelt, an ardent stamp collector himself, personally saw it to that Booker T. Washington appear on a postage stamp after many black Americans petitioned him to have such a stamp issued.  The ten-cent Booker T. Washington Famous Americans stamp of 1940 marked the first time a black man appeared on a U.S. postage stamp, but its denomination limited its use at a time when first-class postage was only three cents.   As for a black woman on a U.S. postage stamp, that didn't happen until Harriet Tubman was honored in 1978.
So when stamp collectors, who are supposed to know more about history and geography through their experience with stamps, find a commemorative for Julia de Burgos unnecessary, it makes me wonder how many of them open their minds to other cultures and perspectives.  What is it these 264 Linn's readers objected to?  Was it de Burgos's feminist attitudes? Her Puerto Rican nationalism?  Or had they simply never heard of her before?  Were they too disinterested in Puerto Rican culture to at least learn more about Julia de Burgos?
I owe a lot of my own knowledge to stamp collecting.  When I first began the hobby at the age of ten, the U.S. Postal Service was issuing commemoratives honoring the American Revolution Bicentennial, and I learned a lot about how America went from thirteen colonies to becoming one nation through those stamps.  My early collection included foreign stamps, which taught me about countries that had been wiped off the map, like the Baltic countries of Estonia, Latvia and Lithuania, which from 1940 to 1991 were forcibly incorporated into the Soviet Union.  And yes, I even discovered American poets like Edgar Lee Masters, Emily Dickinson, and Robert Frost, all of whom I read in school.
Maybe these 264 Linn's readers who thought that a Julia de Burgos stamp was unnecessary should bear in mind that, while Americans working in the English language wrote a lot of our great poetry, they didn't write all of it.  Maybe if they give themselves a chance to learn about Julia de Burgos, they'll find her odes to Puerto Rico as culturally significant as Carl Sandburg's exaltations of Chicago or Robinson Jeffers's musings on California.           
By the way, the kind of stodgy white men most people imagine as stamp collectors are called "Mr. Wilsons," after the grouchy neighbor in "Dennis the Menace," one of the comic strips commemorated in the Postal Service's Sunday comic strips stamps.



Steven Maginnis is a New Jersey-based freelance writer and member in the PRSUN network. To view more of his writings, visit his blog at http://stevenmaginnis.blogspot.com.








Julia de BurgosImage by clarisel via Flickr

         
Enhanced by Zemanta

Monday, October 19, 2009

PRSUN Radio chats with County of Kings' Lemon Andersen

Lemon Andersen is my guest Wednesday at 11 a.m. on PRSUN Radio at www.blogtalkradio.com/prsunradio.

County of Kings is playing now in NYC.

About Lemon and his County of Kings:
Half Puerto Rican. Half Norwegian. Two-time felon. One hell of a show.
Featured earlier this year as part of The Public Theater's Under The Radar Festival,Lemon Andersen's County of Kings gives a tough, yet poignant biographical account of a good kid growing up in an unforgiving environment. Lemon, whose parents met at a methadone clinic and passed away from AIDS, served two prison sentences before he was 21 and won a Tony before he turned 30. His on-stage memoir touches on young love, the birth of hip hop, slinging crack, ballet, stealing car parts, prison, and poetry as he takes the audience on an astonishing and surprising one-man journey toward self-discovery. Weaving hard-edged drama with urban poetry, the Brooklyn born and bred performer tells his coming-of-age story with profound honesty, compassion and humor. A true story of finding passion in the arts and finding one's way, Lemon paints a vivid portrait of his own life and the lives of countless other Brooklynites during the 1980s and 1990s.

Born and raised in Brooklyn, Lemon Andersen has been featured as a regular on HBO's "Def Poetry" presented by Russell Simmons and was also an original cast member and writer of Russell Simmons' Tony Award winning Def Poetry Jam on Broadway. On screen Lemon has appeared opposite Denzel Washington in Spike Lee's Inside Man and The Soloist starring Jamie Foxx and Robert Downey Jr. -- www.countyofkingstheplay.com

Check out this recent review in the New York Times:
http://theater2.nytimes.com/2009/10/13/theater/reviews/13county.html



UPDATE: To listen to my archived interview with Lemon, go to www.blogtalkradio.com/prsunradio.

Reblog this post [with Zemanta]